Omega Theater Faculty Publications and Articles

Penny Lewis, Ph.D., ADTR, RDT-BCT, LMHC, NCC, CAMP

Bibliography

Publications

Lewis-Bernstein, P. (1975). Editor. Therapeutic process movement as integration. Columbia: ADTA.

Lewis-Bernstein, P. & Singer, D. (Eds.). (1982). The choreography of object relations. Keene: Antioch University.

Lewis, P. (1986). Theoretical approaches in dance- movement therapy, Vol. I. Dubuque: W.C. Brown-Kendall/Hunt.

Lewis, P. (1987a). Theoretical approaches in dance- movement therapy, Vol. II. Dubuque: WC. Brown-Kendall/Hunt.

Lewis, P. and S. Loman, Eds. (1990). The Kestenberg Movement Profile: Its past, present and future applications. Keene: Antioch University.

Lewis, P. (1993). Creative transformation: The healing power of the expressive arts. Willmette: Chiron Publishing.

Lewis, P. (1994). The clinical interpretation of the Kestenberg Movement Profile. Keene: Antioch New England Provost Fund.

Lewis, P. (1999). Schopfennshe Proesse. Kunst in Der Therapeutis Chen Praxis. Zurich/ Dusseldorf: Verlag Pub. Amaghi,J., Loman, S.,

Lewis, P., & Sossin, M., Eds. (1999). The meaning of movement: Developmental and clinical perspectives in the Kestenberg Movement Profile. Newark, NJ: Gordon & Breach.

Lewis, P. & Johnson, D. (2000) Current approaches in drama therapy. Springfield, IL: Charles C Thomas.

Articles and Chapters

Lewis Bernstein, P. & Cafarelli, E. (1972). An electromyographical validation of the effort system of notation. Writings on body movement and communication, Vol. II. Columbia: ADTA.

Lewis Bernstein, P. (1972). Range of response as seen through a developmental progression. What is dance therapy really? Barbara Govine (Ed.). Columbia: ADTA.

Lewis Bernstein, P. & Bernstein, L. (1973-4). A conceptualization of group dance- movement therapy as a ritual process. Writings on body movement and communication, Vol. III. Columbia: ADTA.

Lewis Bernstein, P. & Garson, B. (1975). Pilot atudy in the use of tension flow system of movement notation in an ongoing study of infants at risk for schizophrenic disorders. Dance Therapy—Depth and Dimension. Delores Plunk (Ed.). Columbia: ADTA.

Lewis Bernstein, P. (1975). Tension flow rhythms: As a developmental diagnostic tool within the theory of the recapitulation of ontogeny. Dance Therapy—Depth and Dimension. Columbia: ADTA.

Lewis Bernstein, P., Rubin, J. & Irwin, E. (1975). Play, parenting, and the arts. Therapeutic process movement as integration. Penny Lewis Bernstein (Ed.). Columbia: ADTA.

Lewis Bernstein, P. (1980). Dance-movement therapy. Psychotherapy Handbook. Richard Herink (Ed.). New York: The New American Library Press.

Lewis Bernstein, P. (1980). A mythic quest: Jungian movement therapy with the psychosomatic client. American Journal of Dance Therapy, Spring, Vol. 3, No. 2, pp. 44—55.

Lewis Bernstein, P. (1980). The union of the Gestalt concept of experiment and Jungian active imagination within a woman’s mythic quest. The Gestalt Journal, Fall, Vol. 3, No. 2, pp. 36—46.

Lewis Bernstein, P. (1981). Moon goddess, medium, and earth mother: A phenomenological study of the guiding archetypes of the dance movement therapist. Research as Creative Process. Columbia: ADTA.

Lewis Bernstein, P. (1982). Authentic movement as active imagination. The Compendium of Psychotherapeutic Techniques. Jusuf Hariman (Ed.). New York: Charles C Thomas.

Lewis Bernstein, P. (1986). Embodied transformational images in dance-movement therapy. Journal of Mental Imagey, Vol. 9, No. 4, pp. 1-9.

Lewis, P. (1987b). The expressive therapies in the choreography of object relations. The Arts in Psychotherapy Journal, Vol. 14, No. 4, pp. 321—332.

Lewis, P. (1987c). The unconscious as choreographer: The use of tension flow rhythms in the transference relationship. A.D.TA. Conference Monograph. Columbia: ADTA.

Lewis, P. (1988). The transfoi-rnative process within the imaginal realm. The Arts in Psychotherapy Journal, Vol. 15, No. 3, Fall, pp.309—316.

Lewis, P. (1988). The dance between the conscious and unconscious: Transformation in the embodied imaginal realm. The Moving Dialogue. Columbia: ADTA.

Lewis, P. (1988). The marriage of our art with science: The Kestenberg Profile and the choreography of object relations. Monograph 5. Columbia: ADTA.

Lewis, P. (1990a). The Kestenberg Movement Profile in the psychotherapeutic process with borderline disorder. The KMP: Its past, present application and future directions. Lewis & Loman (Eds.). Keene: Antioch University Publishing.

Lewis, P. & Brownell, A. (1990b). The Kestenberg Movement Profile in assessment of vocalization. The KMP: Its past, present application and future directions. Lewis & Loman (Eds.). Keene: Antioch University Publishing.

Lewis, P. (1991). Creative transformation: The alchemy of healing, individuation and spiritual consciousness. Shadow and light: Moving toward wholeness. Columbia: ADTA.

Lewis, P. (1993). The use of reflection, reciprocity, rhythmic body action, and the imaginal in the depth dance therapy process of recovery, healing and spiritual consciousness. Marian Chace, Her Papers, 2nd Edition. Sandel, S. Chaiklin, S. & Lohn, A. (Eds.). Columbia: ADTA.

Lewis, P. (1993). Michael Jackson, Analysiert Mit Hilfe Des. KestenbergBewegungsprofils in Tanztherapie. Hormann, K. (Ed.). The application of the Kestenberg Movement Profile and its concepts. Zurich: Beitrage zur Augewandten Hogrefe.

Lewis, P. (1992). The creative arts in transference-countertransference relationships. Arts in Psychotherapy Journal, Vol. 19, No. 5, pp.317—324.

Lewis, P. (1993). Kestenberg Movement Profile interpretation: Clinical, cultural and organizational application. In American Dance Therapy Association Proceedings. Columbia:ADTA.

Lewis, P. (1993). Following our dreams: Dance therapy as transformation. In American Dance Association Proceedings. Columbia: ADTA.

Lewis, P. (1994). Die Tiefenpsychologisch Orientierte Tanztherapie. In Sprache derBewegung. Berlin: Nervenklinik Spandau Publication.

Lewis, P. (1996). Depth psychotherapy and dance-movement therapy. In American Journal of Dance Therapy, Vol. 18, No. 2.

Lewis, P. (1996). Authentic sound movement and drama: An interview with Penny Lewis. Annie Geissinger, Interviewer. In A Moving Journal Providence: Vol. 3 No. 1.

Lewis, P. (1996). The Gestalt movement therapy approach. In Tsung-Chin, Lee (Ed.) Dance Therapy. Taipei, Taiwan: Publisher identified in Chinese Characters. In Chinese

Lewis, P. (1996) Authentic sound, movement, and drama: An interactional approach. In Robbins, M. (Ed.) Body Oriented Psychotherapy, Vol. I. Somerville, MA: Inter- Scientific Community for Psycho-Corporal Therapies.

Lewis, P. (1996). The Kestenberg Movement Profile.” In Robbins, M. (Ed.) Body Oriented Psychotherapy, Vol. I. Somerville, MA: Inter-Scientific Community for Psycho-Corporal Therapies.

Lewis, P. (1997). Multiculturalism and global-ism in the arts in psychotherapy. In The Arts in Psychotherapy Journal, Vol. 24, No. 2, pp.123—128.

Lewis, P. (1997). Appreciating diversity, commonality, and the transcendent. In Arts in Psychotherapy Journal,Vol. 24, No. 3.

Lewis, P. (1997). Transpersonal arts psychotherapy: Toward an ecumenical world- view. In Arts in Psychotherapy Journal, Vol. 24, No. 3.

Lewis, P. (In process). An embodied relational model: The use of the somatic countertransference and intersubjectivity within the affective-imaginal realm. In Robbins, M. Body Oriented Psychotherapy, Vol II. Somerville: Inter-Scientific Community for Psycho—Corporal Therapies.

Lewis, P. (1999a). Healing early child abuse: The application of the Kestenberg Movement Profile. In Amaghi, J., Loman, S., Lewis, P., et al. The meaning of movement: Developmental and clinical perspectives of the Kestenberg Movement Profile. Newark: Gordon & Breach.

Lewis, P. (1999b). The embodied feminine: Dance and drama therapy in Woman’s holistic health. In Olshansky, E. (Ed.) Woman’s holistic health care. Gaithersburg, MD: Aspen Publishers, Inc.